Hon ARAM, ARCM, Premier Prix (Distinction)
Professor of Harp at the Guildhall School of Music & Drama,
Royal Academy of Music, and the Purcell School.
Head of Harp at the Guildhall School of Music & Drama.
Charlotte Seale is the only British harpist to have been awarded the Premier Prix with Distinction from the Conservatoire Royale de Bruxelles, where she studied under Mireille Flour, a pupil of Marcel Tournier in Paris. Prior to this she studied with Tina Bonifacio, and afterwards with Edward Witsenburg in The Hague.

She is currently Professor of Harp at the Guildhall School of Music & Drama (Senior and Junior departments), the Royal Academy of Music, and the Purcell School. At the age of 23, she became Principal Harpist with the BBC Northern Radio Orchestra, where she stayed for 8 years, during which she also played regularly with the Halle Orchestra and the Royal Liverpool Philharmonic Orchestra. She now free-lances in London, and during her busy career has worked with all the main London orchestras, including the Royal Opera House Covent Garden, English National Opera, the London Symphony Orchestra, and the Philharmonia Orchestra. She has made countless concert appearances both nationally and internationally, and recorded for all the major record labels.

Charlotte is regularly invited to serve on juries and as an adjudicator and examiner, and has recently been made an Honorary Associate of the Royal Academy of Music. She enjoys an international reputation as a renowned teacher and leading exponent of French technique.
Imogen Barford's busy free-lance career has covered an extremely wide range of activities: concerto soloist at the South Bank and Wigmore Hall, London, and at the Aldeburgh Festival; orchestral work with all the major London orchestras (the Philharmonia, Royal Philharmonic, London Symphony, BBC Symphony, London Philharmonic, and English Chamber Orchestras) as well as opera (including English National Opera, and Glyndebourne), ballet (including English National Ballet and Ballet Rambert) and film work; extensive chamber music with her own group JEUX and the Endymion Ensemble; contemporary music (Lontano and the London Sinfonietta) and early music on original instruments; plus regular appearances in all the major concert halls, radio and TV broadcasts, recordings and foreign tours. Most recently she toured in Germany and Spain with the London Symphony Orchestra.

Her commitment to contemporary music has led to numerous first performances, and work with groups such as the Endymion Ensemble in the UK and abroad; New Music workshops; and commissioning awards, most recently a PRS award. In 2013 Imogen began commissioning a series of harp solo works from prominent British composers, starting with Simon Holt and Robert Saxton.

Imogen read Music at Cambridge University and studied the harp with Renata Scheffel-Stein (a pupil of Marcel Tournier in Paris). She continued her studies at the Royal Academy of Music where she won the coveted recital diploma. From 1991-2005 she taught at Trinity College of Music, London, latterly as Head of Harp, and in 2005 she became Head of Harp at the Guildhall School. She has taught in the Junior Departments of the Guildhall School, Royal Academy of Music, Trinity College of Music, and the Centre for Young Musicians. Imogen has given masterclasses and workshops at the Szymanowski Academy in Poland, at the Espace Camac in Paris, and for Morley Harps in London, for the National Youth Orchestra of Great Britain, the Royal College of Music, the Birmingham Conservatoire and the Purcell School for Young Musicians. In 1994 she was made an honorary associate of the Royal Academy of Music 'for distinguished service to the music profession'.

Imogen is much in demand as an examiner and adjudicator. In 2014 she will be a jury member for the Wales International Harp Festival Competitions, and she has sat on panels for the BBC Young Musician of the Year Competition and the Royal Over-Seas League Competition; examined for the Royal Academy of Music, Royal College of Music, Royal Welsh College of Music & Drama, and the Purcell School; been on the audition team for the Schleswig Holstein Festival Summer Academy and the National Youth Orchestra, and adjudicated numerous Music Festivals. Imogen is also a fully qualified teacher of the Alexander Technique.